Stutter Tap-Fives challenges you to control the placement of doublestrokes in tap-five figures. The main variation plays with the space around the doublestroke. It is very tricky to play a quality doublestroke that doesn’t follow from something and connect to something else. It should not be, but it is, so use it as an excuse to get very picky about how you articulate doublestrokes! If shuffling these diddles around the rhythmic grid gets boring, the modulation variations challenge you to change doublestroke placement and speed.
The included buzz/crush variations allow you to work on many of the same challenges as the main variations—rhythmic precision and the targeted application of fulcrum pressure—without having to worry about second note placement on the doublestrokes.
