This is a small packet adapted from the 2011 NCSU Drumline exercise packet (below), but I have trimmed off a lot of fat in order to compile a more focused repository of essentials that will benefit anyone who is looking to get better at battery percussion. There is some additional material, adapted from Quality Control, to round out this great starting point for what to work on if you really want to roll with the big dogs.
RUDIMENT CONTROL (SUMMER 2015 EDITION)
This is a collection of exercises based on two main ideas: that certain pairs of rudiments can be thought of as rhythmic corruptions of the same stroke combinations, and that rudiments should be rehearsed with different rhythmic speeds and rhythmic interpretations in order to develop better control of the sticks and a stronger rudimental vocabulary.
In addition to your chops, this packet should really stretch your control of the space between notes and give you a stronger command of your rudimental vocabulary.
This comprehensive exercise packet that I compiled with NCSU Drumline instructor John Antonelli covers legatos, accent-tap figures, doublestrokes, paradiddles, rolls, flam rudiments, triplestrokes, timing exercises, and grids. The 72 exercises consist of our original work, as well as "stock" pieces that you will find in almost any audition packet.
fatCHOPS #1: 7-Stroke Rolls and Diddle Attacks (10 December 2015)
The first installment of fatCHOPS, a series that explores rudimental vocabulary as a vehicle for strengthening core fundamentals in intermediate to advanced players.
Put away your long rolls... your 8 & 25... your higga-digga-burr... and find out who you really are with some seven-stroke rolls. These exercises will enhance your awareness of diddle rhythms, 2nd-note sound quality, and the attacks of rolls.
The second installment of fatCHOPS, a series that explores rudimental vocabulary as a vehicle for strengthening core fundamentals in intermediate to advanced players.
This edition explores the different approaches you can have to three-note and four-note series on the same hand, like triple-beats and quadruple beats. It examines rudimental contexts to which the different approaches apply and aims to create awareness of the finesse required to approach these multi-beat figures appropriately.